Michael Cunningham
Corona Psalm

You don’t have to feel lonely.

You don’t have to eat from cable news
like an endless buffet.

Listen, the birds are singing.

Listen, the rain is making love
to the city streets.

Watch, the leaves give birth
and the trees that hold them.

You don’t have to be alone.

Drink from the stream
within yourself.

Pull yourself away from the world
the same way you would tug a child
away from an open flame.

Drink from the stream
drink and be well.

—Submitted on 10/17/2020

Michael Cunningham is a school librarian and outdoor nature educator trained in Waldorf education and biodynamic farming.

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Michael Cunningham
Crucifixion

After Jesus called out
father, father why have you
abandoned me?
He must have called
out for his mother.

She was there when the men
had flown in fear.

He must have called her

When then they whipped him, when they tormented him, when they spit on him,
When he wore the crown of thorns, when he carried the cross.

Isn’t that what all good boys do?
Call to their mama.
even when someone is
kneeling on their neck.

America, Jesus is still calling
is anyone listening?

—Submitted on 10/17/2020

Michael Cunningham is a school librarian and outdoor nature educator trained in Waldorf education and biodynamic farming.

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Margo Taft Stever
Immigration Policy

—Submitted on 10/17/2020

Margo Taft Stever is the author of Cracked Piano (CavanKerry Press, 2019), Ghost Moose (Kattywompus Press, 2019), The Lunatic Ball (Kattywompus Press, 2015), The Hudson Line (Main Street Rag, 2012), Frozen Spring (Mid-List Press, 2002) and Reading the Night Sky (Riverstone Press, 1996). Her work has appeared in Verse Daily, Prairie Schooner, Connecticut Review, Cincinnati Review, Plume, and other journals. Stever is founder of the Hudson Valley Writers Center and founding and current co-editor of Slapering Hol Press. She lives in Sleepy Hollow, NY.

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Ed Madden
At the Most Worshipful Prince Hall Grand Lodge, Columbia, SC, October 31, 2020

Across the parking lot, a man with a mic
is calling out drop, pop, and roll, and two
women just in front of us in line dance
along. It’s getting a little festive, a little
restless as we get closer to the door,
where they let in six or seven at a time.
One woman shuffles the heel-toe in fluffy
pink house shoes. They name the moves,
call out a few they don’t think quite right.

A golf cart bumps by with boxes of popcorn.
A church offers bottled waters at a table
where the line curls along the back fence.
It’s been a two-hour wait. We got here early
enough, but the line was already around
the building. Everyone is wearing masks except
a middle-aged white couple in black and
sunglasses, taking occasional deep pulls
on their electric cigarettes. Most of us look

at our cellphones as we wait, another
kind of social distance. The line wraps
around the building then coils around
an adjacent parking lot. An old woman
leaves crying because the county isn’t
providing provisional ballots for early voting
sites. I don’t know why. Once inside
we line up on the thick strips of gray
tape that mark off the floor. A poll worker

behind a plastic shield stares at my license
a bit—I can’t tell if she’s comparing
signatures or if it’s just the COVID hair. Finally,
she hands me a slip of paper, a cotton swab,
points me toward the wall of voting machines.
I use the cotton swab to touch the screen.
I get an “I Voted” sticker when I leave.

—Submitted on 11/02/2020

Ed Madden is the author of Ark (Sibling Rivalry Press, 2016), Nest (Salmon Poetry, 2014), Prodigal: Variations (Lethe Press, 2011), and Signals (University of South Carolina Press, 2008). His poems have appeared in Crazyhorse, Los Angeles Review, Michigan Quarterly Review, Prairie Schooner, and The Forward Book of Poetry 2021 (Faber & Faber, 2020), among other journals and anthologies. 

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Chad Parenteau
Patient Nero

Lick flames
fan flickers.

Why fiddle with self
when others can join.

Mother whore not complex.
There’s a line for both.

World’s best actor
needs supporting cast.

None who jump in
dare call it pit.

How can one burn
if all play along?

—Submitted on 11/01/2020

Chad Parenteau is the author of The Collapsed Bookshelf (Tell-Tale Chapbooks, 2020) and Patron Emeritus (FootHills Publishing, 2013). His poems have appeared in Résonancee, Queen Mob’s Tea-House, Cape Cod Poetry Review, Tell-Tale Inklings, Off The Coast, and other journals. Parenteau is a regular contributor to Headline Poetry & Press as well as associate editor of Oddball Magazine. Online at chadparenteaupoetforhire.com.

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Cheryl Caesar
Envoi on Election Day (whenever that is for you)

Blessings on you, all my friends,
as you go out to vote today.

May no pillow malfunction, no mis-set alarm
delay you. May your coffee perk
and your toast pop up unburnt.

May no deer or bottleneck
block your journey. May the lines
be short, your ID and registration ready.

May you find the real drop box,
and no Republican fake.

May the levers pull smoothly,
and the rectangles fill with black.
May your reward sticker stay stuck
to your lapel all day.

Because you deserve it.

You love animals; you may hate hunting.
But this was a rogue elephant, insane
in musth, crushing cars and villagers.
It had to be killed.

We will not take trophies,
no ivory keepsakes, no foot-on-head selfies.
We will burn it decently and with regret
for the noble animal it once was.
And then we will start to rebuild.

—Submitted on 10/16/2020

Cheryl Caesar is the author of Flatman: Poems of Protest in the Trump Era (Thurston Howl Publications, 2020). Her poems have appeared in Prachya Review, Panoply, Light, Origami Poems Project, Ponder Savant, and other journals, as well as in the anthology Nationalism: (Mis)Understanding Donald Trump’s Capitalism, Racism, Global Politics, International Trade and Media Wars (Mwanaka Media and Publishing, 2019), edited by Tendai Rinos Mwanaka. Caesar holds a PhD in comparative literature from the Sorbonne. She teaches writing at Michigan State University.

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Steven Cordova
Doom Scrolling

↓ Doom scrolling 
  Doom scrolling
 
  I’m scrolling   
  scrolling 

  scrolling along 

↓ Doom scrolling  
  Doom scrolling 

  I’m polling  
  polling 

  The polling 

↓ Doom scrolling  
  Doom scrolling 

  Trump is trolling 
  He’s trolling

  trolling along 

↓ Doom scrolling 
  Doom scrolling 

  All the day long

  For so long

  I’m doom scrolling
  Doom scrolling along ↑

—Submitted on 10/15/2020

Steven Cordova is the author of Long Distance (Bilingual Review Press, 2010). His poems have appeared in Bellevue Literary Review, Callaloo, The Journal, Notre Dame Review, and the Los Angeles Review, among other journals. He reviews fiction and nonfiction for Lambda Literary. From San Antonio, he lives in Brooklyn. 

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Barbara Quick
Blood Pressure

I have a tiny ovoid blood-pressure pill,
light blue, that I cut in half
with a plastic machine, a little guillotine,
the pharmacist at Kaiser gave me
when I said I wanted a lower dosage.
Try as I might, my cuts are always
imprecise, and the halves are always uneven.

I have a small round metal box
that must have come from Germany,
that belonged to one of my husband’s
ex-wives. Its prettiness is a nice disguise
for my distress that I need to take
a pill every day, no matter how diminutive
its size.

Every morning, on waking, I prise the box open
and contemplate the tiny blue, uneven
halves, like a school of minnows in a golden sea,
and I ask myself what kind of day is this likely
to be?

My husband’s sleeping face gives none of his secrets
away. I never needed medication
before aligning my life with his. As the level
of his anger lessened along with his drinking,
and we worked on our communication,
I was able to tell my doctor,
I think I’m almost done with these pills.

But life is harder now and much more stressful
with my husband home full time.
Is it a day for a larger half, or even two
of the smaller fragments,
placed side by side on my tongue
and swallowed?

He seems to possess the belief that my purpose in life
is to absorb his pain: to always forgive, always be
giving and kind, no matter how he speaks to me.
He sees my grief as a sign of my cruelty,
as a testament of blame heaped upon
his self-recrimination and feelings of shame.

Isn’t my purpose in life to heal myself?
To comfort the traumatized girl I was,
growing up in a place that was so violent and unsafe,
with a father I loved, whose psychic pain
scarred all of us, whose anguish and psychotic rage
permeated the air I breathed and probably,
like any pollution, damaged my young heart
in some insidious way?

What hubris to think I can heal
the sensitive and tortured man I’ve skillfully chosen
to stand in for the first man I ever loved, who’s dead now.
Who can’t ever be made whole.

How can I protect all those places inside
where my husband’s knives, razor-sharp,
have found their mark?
How can I protect myself and also
be kind, remembering how much I want to heal
whatever wounds reveal themselves,
both his and mine?

Last night was hell and yet we slept.
Today I choose the largest little minnow
I can find.

—Submitted on 10/11/2020

Barbara Quick is the author of The Bus to Apollonia, co-winner of the Blue Light Press Poetry Prize, forthcoming in 2021. She is also the author of three novels, with another forthcoming in 2022. Her poems have appeared in San Francisco Chronicle, Journal of Humanistic Mathematics, Panoply, Mezzo Cammin, and Monterey Poetry Review, among other journals, as well as in anthologies including Fire and Rain: Ecopoetry of California (Scarlet Tanager Books, 2018). She lives in Sonoma County, Calif. Online at BarbaraQuick.com.

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