What Rough Beast | Poem for March 22, 2019

Jessica Ramer
Florida Air Museum Display

I, who need kids’ help when I turn on classroom
Lights, their baffling switches and dimmers making
Me appear dense, stop when I turn the corner,
Silent with pleasure.

Painted red, lines graceful and spare, it slumbers,
Wheels on tarmac. Even though overpasses
Make me feel faint, I have a sudden urge to
climb in its cockpit

Race down runways, gathering speed before I
Barrel over miles of sawgrass, feel its
Body dive headlong as its engine screams like
Jericho’s trumpets.

Then I look up: swastikas mark its tailfin.
Pilots dropped first bombs in September, ferried
Gunners strafing peasants in Poland, flew home
Safe in its belly.

Pohlmann’s Stukas, Elliot’s Four Quartets, slave-
Built plantations—splendor in ink and metal,
Sheaves emerging, tangled in darnel, rootlets
Nourished by mire.

Jessica Ramer is a third-year PhD student in poetry at the University of Southern Mississippi.

SUBMIT to What Rough Beast via our SUBMITTABLE site.

What Rough Beast | Poem for March 21, 2019

John Martino
American Sonnet

I push your head inside my fist,
little by little with one finger.
Then, stuff a red, white & blue scarf in,
a freedom dove, one cancerous cyst.

I can’t believe you buy any of this.
Gold, embossed, buffed with a kiss.
I open my hand with a flick of the wrist.
Nothing’s gone unless it’s missed.

No one cares until they’re pissed.
Sometimes love makes an ugly sound,
late at night when the shades are down.
Always enough hate to go around.

My fist turns into a tell-tale heart
and pumps out its spattered bloody art.

John Martino‘s poems have appeared, or are forthcoming, in Connotation Press: An Online Artifact, HEArt Online, The Bitchin’ Kitsch, and the anthology Envy, Vol. 6 from a 7-volume series on the 7 deadly sins by Pure Slush Books. He has worked as a teacher and tutor of English for 22 years. An avid traveler, Martino currently resides in Hong Kong with his wife, Shelley.

SUBMIT to What Rough Beast via our SUBMITTABLE site.

What Rough Beast | Poem for March 20, 2019

Amy Gordon
Metamorphosis as a Required Course

Should be mandatory if you run
for office to have spent some part
of your youth as a maple or a cactus,
a towering redwood, a kapok tree
in the rain-forest. Then as senator,
you might sit in your office, remembering
how caterpillars came to feast on your leaves,
for that felt right, didn’t it, when a live, green thing
like you helped feed small creatures? As congressperson,
you might sit at your desk and recall the feeling
of sap running through your capillaries,
the delicious rooting of roots into the ground,
your branches extending into air, amid bird song
and cricket cheer. Do you remember how fond
you were then of the men and women
who came to lean against your trunk?

Amy Gordon is the author of numerous books for young readers, including When JFK Was My Father (Houghton Mifflin, 1999) and Painting the Rainbow (Holiday House, 2014), both works of historical fiction haunted by helpful ghosts. Her poems have appeared in The Massachusetts Review, Aurorean, Plum, Blue Nib, and in the anthology Poems in the Aftermath (Indolent Books, 2018).

SUBMIT to What Rough Beast via our SUBMITTABLE site.

What Rough Beast | Poem for March 19, 2019

Devon Balwit
Laodicean

I hatchet, blade a bright sever
between vertebrae. Miry

against hide, I goat,
fingertips trembling.

I crack-slat my darkened
window, taking

a bead on narrowing
boxcars and Black Marias.

Wafer palate-stuck, I commune,
stingy sips, never enough

to dislodge the clot that sticks
at the center.

Devon Balwit is the author of A Brief Way to Identify a Body (Ursus Americanus Press, 2018). Her poems have appeared in Rattle, Poets Reading the News, The NewVerse News, The Ekphrastic Review, Peacock Journal, and more. For more of her poetry, reviews, collections, and chapbooks, visit her website, devonbalwitpoet.

SUBMIT to What Rough Beast via our SUBMITTABLE site.

What Rough Beast | Poem for March 18, 2019

Sean Bolton
Gone Native

Was a world of glass traffic
where name redounded against
the heap of human movement.
To be and to use. The night
blown apart by moral shrapnel.
This sky is broken water: God
mounting an absurd microscope.
Feeds the prick of order to
the gaping mouth of death.
An insistence of blue eyes and
freedom and a fetish for prisons.
My nightmare of comfort in
a womb that can no longer exist.

I am become the proof of language,
word my shadow on fractured stone.
This is the edge of mind’s anchor,
a last chance to remain undivided.
I genuflect in this cathedral of rot-
green, of bayonet and gasoline.
I pray to walk unrooted from this
mountainside. In the stretched time
of trip-wire consciousness, I send
my bird of name above the trees
for sunlight. Sponge of my spirit
seeping through waterlogged eyes.
I am here eternal: now grown
to jungle—now subterranean
and taken home.

Sean Bolton is the author of the chapbook A Passion (Gold Wake Press, 2010). He holds both an MFA in Creative Writing (Poetry) and a PhD in Literature from Arizona State University. His poems have appeared in Prism International, Mad Hatters’ Review, and Otoliths, among other journals. Bolton teaches in the English Department at Santa Fe College.

SUBMIT to What Rough Beast via our SUBMITTABLE site.

What Rough Beast | Poem for March 17, 2019

Amy Gordon
It’s Supposed to be Winter

Yellow crocuses spring up in fairy rings

around the maple tree. There is no snow.

The clouds are tantrumming over the Gulf.

We have walls to separate the sea from windowsills,

but yellow plastic toys float out of houses.

Strings of liberated ice push rivers into floods.

A sound like silver coins clinks along the banks.

Politicians are melting rapidly.

Dollar bills muddy the nesting grounds of geese.

A sound like gunshots wounds the earth.

At the top of the stairs, near the gleaming dome,

water rises. I hear a bird sing underwater.

When we see crocuses in January,

that’s when we know we are entering a new age.

Amy Gordon is the author of numerous books for young readers, including When JFK Was My Father (Houghton Mifflin, 1999) and Painting the Rainbow (Holiday House, 2014), both works of historical fiction haunted by helpful ghosts. Her poems have appeared in The Massachusetts Review, Aurorean, Plum, Blue Nib, and in the anthology Poems in the Aftermath (Indolent Books, 2018).

SUBMIT to What Rough Beast via our SUBMITTABLE site.

What Rough Beast | Poem for March 16, 2019

Lydia Cortes
Find the Form to Love Your Life (Section 6)

Almost drowning out the colored chemicals the crystals      So lovely in purpled reddish orangeness flakes encrusted      With jewels of sugar azucar is the word Celia Cruz was     Known for AZUCAR how many times did she cry out her      Cry was known to all who knew her adored her music     Her voice her rhythm her blued Africaness her negritude      Azucar azucar so much azucar en el Kool Aid we drank      Envelops and envelops made into pitchers and pitchers      Of sugar technicolored water in the summer      On the fifth floor tenement on Stockton      On the third floor tenement on Ryerson so much ice in the pitchers      Cool in our aluminum  tumblers in all colors      I always wanted the golden one      The aluminum so cold to the touch to the cheek to the      Fingers but in the winter waiting for the heat to come      On again waiting for the hot water to return so we could      Bathe so we could take off the layers the pajamas the under

Editor’s Note: “Find the Form to Love Your Life” is a long poem that we are posting in eleven sections on consecutive Saturdays.

Lydia Cortes is the author of the poetry collections Lust for Lust (Ten Pell Books, 2002) and Whose Place (Straw Gate Books, 2009). Her work appears in the anthologies Puerto Rican Poetry: An Anthology from Aboriginal to Contemporary Times (U Mass Press, 2006) and Breaking Ground: Anthology of Puerto Rican Women Writers in New York 1980-2012 (Editorial Campana, 2012). Recent work has appeared in Upstreet and on the Black Earth Institute’s 30 Days Hath September poetry feature curated by Patricia Spears Jones.

SUBMIT to What Rough Beast via our SUBMITTABLE site.

What Rough Beast | Poem for March 15, 2019

Jessica Ramer
ABCs of a Failed High School Teacher

Afraid of getting kids beaten, I never call parents. My classes are the school’s noisiest,
ruckus audible at the other end of the hall. A student wraps metal in paper, lobs it at my head. Two hours later, my scalp still stings. “We didn’t tell you this because we didn’t want to scare you off,” another teacher tells me, “but you have some bastards in your classes.”

Brian grimaces when I ask my Algebra II class on the first day if anyone wants to be a teacher. “Miss, if I couldn’t make it as a bum, then I would try teaching,” His reason: “If I was a teacher, I would kill those kids. If I kill them, I would go to prison. I don’t want to go to prison. Therefore, I will not be a teacher.” Quod erat demonstrandum. 

Chronically short of markers, teachers run out before the first term is over. I buy my own.
“Never spend your own money on school supplies,” my boyfriend tells me.
“Ask for paper instead of plastic at the grocery store. Tape the bags to the board;
write on them with charcoal scrounged from grills at the beach.”

Daily flag salutes precede announcements broadcast over CCTV. My kids never watch it—
recruiters prowl hallways for green card troops—except one time I couldn’t avoid it.
Twenty-eight ESOL students—Haitians, Brazilians, Argentinians, Mexicans—jump up,
hand over heart, reciting the Pledge of Allegiance from memory.

Enlistees during my last year include Albert, my best algebra student who needed a green card, Randy, Anglo, fatherless, underage—his remarried mother signed for him—and Diego, class clown and perpetual troublemaker. International Baccalaureate students go to Notre Dame, Duke, and University of Florida. My students go to boot camp.

Fist in air, Pierre yells “Sue Ellen, I’m going to have sexual intercourse with you until
your genitals fall off.” Anyone who works with teenage boys recognizes this as a paraphrase. Instead of calling security and having them removed, I take them outside, make them apologize. Later, when I collect his paper, Pierre whispers, “I love you, Miss.”

Gwen, a guidance counselor with bad teeth and no husband, knocks, asks if she can tell my kids about the PSAT. The military recruiter hiding behind the door enters, tells students the army pays 100% of college tuition for soldiers in the reserves. They leave. I tell them if they enlist, they will be fighting in Iraq, not studying in Florida. I wait to be turned in, fired.

Holding his Samsung, Daniel says, “You can use my phone. I’ll even dial the number for you.” I had threatened to call home after he had tossed books across the room and dropped trousers, parading in boxer shorts. He punches in a number; hands me the phone. Grandma speaks only Creole. “Daniel est très mauvais. Il a jeté des livres dans la class.” His eyes widen.

In a basic geometry course, I prove that an exterior angle is congruent to the sum of two remote interior angles: < 1 + < 3 ≅ < 4. An administrator misreads the equation as 1 + 3 = 4, points toward the board and yells “This is spoon feeding.” He asks me to define “hypotenuse.” I dummy down the lesson just for him. He accuses me of not teaching at a high enough level.

Jackson, the star running back, arrives in my class bearing a backpack, “Real N – – – a Shit” written on the back in black marker. Gang violence claims two of his friends. Years after I leave, Prosecutors charge him with a revenge shooting. An unarmed teenager in his front yard. The victim lives. Jackson gets 25 to life. I wish he had enlisted in the army.

Kids can’t add three-digit numbers without a calculator. I forbid their use. Anne screams, “The school lets us use calculators for the FCAT. Are you better than the school?” “As a matter of fact, I am,” I reply. She stares, lips parted, not knowing Bart Simpson’s “I am so great” theory of American social relations.

Larry burbles with joy over the invasion of Iraq, happy as a kid who just lost his virginity to the head cheerleader. “I teach my students how to pay for college. I’ve brought in recruiters from the Army, the Marines, the Navy and the Air Force.” When a recruiter asked him to join, he replies, “Are you crazy?”

Memorized multiplication tables, grade-level reading ability, fraction skills— all missing in action at this school. Pictures of the school mascot, a buck, hang in a school most of whose students emigrated from Haiti or Mexico and live in the city’s public housing. “Buck the FCAT,” read banners suspended from ceilings. Some administrator being clever.

“Novels are books with two hard covers,” the reading coordinator tells us during a block buddies meeting which consumes our entire planning period. We grade and plan at home for free tonight. Newsweek writes that our school is among the top four hundred nationwide: without the International Baccalaureate program, we would be an F school.

Oranges, cake, individually wrapped candies and soda sit on my desk, party food for the last day of school before Christmas. Tenise frowns. “We don’t deserve a party. We’re a bad class.” I stand in the doorway until the tardy bell rings, turn around to see the Gang of Four— Freddy, Daniel, Jimmy, and Talese—hurl fruit across the classroom.

Pierre falls to the floor, clutching his groin. “She hit me in my balls. She hit me in my balls,” he groans, elongating that last word into three syllables. “She” was Sue Ellen. “Dear God, please don’t let the principal walk in right now,” I pray. She didn’t. I do not sleep well that night. If Pierre hits Sue Ellen, he will be led away in handcuffs.

Quarters and Quartiles dominate school life. The fourth-quarter loss in the game’s last second knocks us out of the playoffs. The bottom quartile of students failed to make sufficient progress. We are still a D school. The principal hires a consultant. We spend six hours learning to teach test-taking strategies: guessing after eliminating obviously wrong choices and back-solving.

Relationship etiquette is MIA, too. “Look, Miss,” Rosa whispers, gesturing behind her. Two students sit French kissing as the rest of the class giggles. She dumped him. He punched another kid. She took him back. He tattooed her name on his bicep. She got pregnant. He left. She gave birth at sixteen. “My pregnancy was a mistake but my baby is a gift from God.”

Student graffiti: American-born kids write slang for intimate body parts using substances the color of feces; immigrants write parodies of school life. “Fight: Sue Ellen vs. Pierre. After school on the football field. Free Tickets.” A Brazilian student writes, “Jesus died for you. Respect that.”

“Teacher Appreciation Day” posters invite us to lunch. Isn’t it nice the administration cares enough to do something nice for us. I smile benignly at my administrator-nemesis. Lunch is sponsored by the army. In exchange for hot dogs and potato salad, they want to recruit our students. Mr. Cohen tells them he will never agree to it. I remain silent.

Underwear displays are a thing here. José stands in the back of the room and lifts his shirt, revealing pants hanging at mid-thigh along with oddly cut briefs. I thought about saying “Mr. Gonzalez, your underwear is completely old-fashioned and out of style,” but didn’t. They were not American, one of the few things he still owned from his country.

Vandalism—someone wrote that a student was “a bout it ho” in the girls’ bathrooms— causes the principal to ban bathroom passes. Students wait for security guards to escort them. Kids with long after-school bus rides beg me to break the rules. I do. Still, I wonder about the girl who was slut-shamed. Had she been abused, too broken, to resist advances?

Word walls, once confined to first grade, sprout up in our D-school classroom, ordered by the principal. I create placards: Parallel, Perpendicular, Obtuse, Acute, Equation. Some student pencils his own word wall: the S-word, the F-word, the N-word, the MF-word, and a fifth, forgotten word. “This is disgraceful!” I yell. Years later, I still admire the kid’s gift for parody.

Xenophobia bubbles like an air pump in a fish tank, unheard most of the time. A student tells me he is writing the names of his homeboys on the board. “Jerrod, you can’t write the names of your homeboys in math class.” A white kid responds, “That’s “neighbors” to us.” Students stare at their desks. I write James Garfield’s proof of the Pythagorean Theorem on the board.

Y?—text-speak for Why? Why does Rosa have to wait two years to be evaluated for learning disabilities? She drops out, surrenders her dream of an army career, a green card. Why did Patrice’s father shave his head as punishment? I report it—maybe the only thing I have done right in three years. He goes into foster care, comes by every day to give me a hug. Zo-zo, zo-zo, zo-zo chants a student in a sing-song voice.

Zo-zo. Zo-so. Zo-zo. His off-key singing continues for three days. On the third day, I blurt out, “What does zo-zo mean anyway?” A student points to her lap. “It’s this, Miss.” Creole slang for the penis. I loved every student in that class for not laughing at me. Zo-zo is still the only Creole word I know.

Jessica Ramer is a third-year PhD student in poetry at the University of Southern Mississippi.

SUBMIT to What Rough Beast via our SUBMITTABLE site.

What Rough Beast | Poem for March 14, 2019

John Martino
Square One

Humpty Dumpty shat out a wall.
Thick as a prick ‘cause his hands
are too small. Divided we stand,
united we fall. Someday a hard

rain will undo us all. Half the people
have egg for brains. The other half
hate men. Impossible to put it
together again. One pawn to another,

for what it’s worth. Snowball’s chance
on heated Earth. Oh, ye of liberal
faith. Meet the neocon, same as
the old con. I’m so left—I’m gone!

John Martino‘s poems have appeared, or are forthcoming, in Connotation Press: An Online Artifact, HEArt Online, The Bitchin’ Kitsch, and the anthology Envy, Vol. 6 from a 7-volume series on the 7 deadly sins by Pure Slush Books. He has worked as a teacher and tutor of English for 22 years. An avid traveler, Martino currently resides in Hong Kong with his wife, Shelley.

SUBMIT to What Rough Beast via our SUBMITTABLE site.

What Rough Beast | Poem for March 13, 2019

Jacqueline Jules
This Century’s Code

“I am not a crook!”
Nixon declared on live TV
way back in 1973.

The country was captivated,
curious, concerned. Nixon knew
what we wanted to learn.

“I am not a crook!”
A five-word phrase
now infamous as antonym,
unsurpassed until

#Fake News, that familiar
White House Tweet
blasting doubt
east, west, and in between.

We quiver with questions.

Russia? Taxes? Obstruction? Fraud?

Watch spellbound
while CNN gets punched in the face.

Stay tuned
to our channel of choice,
anxious and irritable
waiting to see
if #Fake News
takes top spot
as this century’s code
for corruption.

Jacqueline Jules is the author of three chapbooks, Field Trip to the Museum (Finishing Line Press, 2014), Stronger Than Cleopatra (ELJ Publications, 2014), and Itzhak Perlman’s Broken String (Evening Street Press, 2017), winner of the 2016 Helen Kay Chapbook Prize. Her poetry has appeared in The Broome Review, Sow’s Ear Poetry Review, Hospital Drive, and Imitation Fruit, among other periodicals. She is also the author of 40 books for young readers. Visit jacquelinejules.com.

SUBMIT to What Rough Beast via our SUBMITTABLE site.