Transition: Poems in the Afterglow | 11 09 20 | Andrea England

Andrea England
On Hearing That Google Searches for “Liquor Store Near Me” Were at an All-time High on Election Night

It was said of COVID too, sheltered in place, shelves
unburdened of proofs, un-scienced, Venus high
and as yellow as a jaundiced newborn.

I’m not much of a drinker anymore, so I sip
a glass of wine around a neighbor’s bonfire,
listening to votes roll in and chicken

sizzle on the grate, for a minute feeling
a little guilty for the luxury of food and the
moon. My daughter is telling a story and I

find myself interrupting again. I want all
her stories to be our stories. Is that so bad?
I am learning to let go of death, this election,

ideas that I can forever protect my daughter
as long as I pretend I have control over my
body and her screen-time. Like the thermostat,

I am guilty of waiting until it’s too cold to turn
up the heat, the sweat of over-compensating
waking me up in the night, this whole country

menopausal. The morning after is already here,
the coffee weakening, the sun and the moon still
at odds, both fighting to light up the sky.

—Submitted on 11/09/2020

Andrea England is the co-editor of the anthology Scientists and Poets #Resist (Brill Press, 2019), and the author of Other Geographies (Creative Justice Press, 2017) and Inventory of a Field (Finishing Line Press, 2014). Her poems have appeared in SWWIM, SoFloPoJo, The Potomac Review, and other journals. She lives and writes between Kalamazoo and Manistee Michigan, with her partner and their three teenage daughters.

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Transition: Poems in the Afterglow | 11 08 20 | Lisa Alvarez

Lisa Alvarez
CPR

November dawn
the early morning air of election day
crisp as a new ballot

We kneel beside the republic’s body
whispering
breathe

—Submitted on 11/08/2020

Lisa Alvarez’s poetry and prose have appeared most recently in in Borderlands, Faultline, HuizacheLos Angeles TimesSanta Monica Review, and other journals, as well as in the anthologies Sudden Fiction Latino: Short-Short Stories from the United States and Latin America (W. W. Norton & Company, 2010), and Only Light Can Do That: 100 Post-Election Poems, Stories & Essays (The Rattling Wall and PEN Center USA, 2017). Alvarez holds an MFA in fiction from the University of California, Irvine, and teaches writing at a community college in Orange County.

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Transition: Poems in the Afterglow | 11 08 20 | Jenna Le

Jenna Le
November Air

I’m frazzled. My hair, snaggled,
stands on end like a raspberry’s.
When I lag on the Amtrak platform,
a man rasps, “Faster, asshole.”

Troubled, trampled
by the trompe l’oeil of the news cycle,
I’d like to travel to an isle tropical.
Yet I shrivel like a shrimp in a thimble.

I’d like to think what’s promised today
surpasses pom-poms and palmistry.
But I’m done quavering.
Henceforth, I’m singing whole note after whole note.

—Submitted on 11/08/2020

Jenna Le is the author of Six Rivers (NYQ Books, 2011) and A History of the Cetacean American Diaspora (Indolent Books, 2018).

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Transition: Poems in the Afterglow | 11 07 20 | Emily Jo Scalzo

A poem from the What Rough Beast submission queue

Emily Jo Scalzo
2020 Election

they say it’s the edge
of a chasm so deep
we never hear the echo
but in reality we tripped
into it so long ago
we don’t remember
that we’re falling

—Submitted on 11/03/2020

Emily Jo Scalzo is the author of The Politics of Division (Five Oaks Press, 2017). Her work has appeared in Midwestern Gothic, Mobius, Blue Collar Review, New Verse News, and others journals. Scalzo holds an MFA in fiction from California State University, Fresno, and is an assistant teaching professor of research and creative writing at Ball State University in Muncie, Indiana.

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Transition: Poems in the Afterglow | Submission Guidelines

From November 7 until January 20, the Indolent Books website will publish a poem-a-day in celebration of the unprecedented presidential transition we embark up today. We want poems about what we are seeing, hearing, thinking, feeling, hoping and fearing in the aftermath of this historic election. Let’s use poetry to engage in a rich and layered conversation about the ongoing polarization of this nation and the opportunities bringing the nation and its people together, for moving forward, for making a difference.

We value poems that use all the resources of poetry, especially in ways that are innovative, provocative, and risky.

IMPORTANT: Poems submitted for this series must be previously unpublished.

SUBMIT up to 3 poems or 3 pages of poetry in a Word file. NOT PDF. Word.

INCLUDE a brief bio that includes in the following order:

  • Any books published (including publisher and year of publication);
  • any journals in which poems have appeared;
  • any anthologies in which poems have appeared (including publisher, year of publication, and names of editors);
  • a few other personal or professional details of your choice.

PLEASE NOTE: This is a poem-a-day series, and as we work our way through the Submittable queue, we pick a poem and post it immediately without notifying the author beforehand. You’ll get your acceptance email via Submittable within a few minutes of the poem being posted, but generally not in advance of the poem being posted. Please be sure you are comfortable with that modus operandi when you decided to submit work.

A NOTE ABOUT DONATIONS: At the end of the submission form, we provide an option to donate from $2.00 to $100.00 to Indolent Books, a nonprofit poetry press. Submissions are treated the same whether accompanied by a donation or not. We urge you to donate as generously as you can. Plain and simple, your donations make it possible for the press to continue its work. The more revenue we have, the more poems and books we can publish. If we don’t have revenue, we cannot publish poems or books. It’s as simple as that.

Click here to submit via Submittable.

Check out the series here.

We look forward to receiving and reading your work. 

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Transition: Poems in the Afterglow | 11 07 20 | Indran Amirthanayagam

Indran Amirthanayagam
To Oz and Beyond

You must be depressed, Mr. President
watching the drip drip of tabulating,
red wall crumbling, and all the king’s
men turning mum, just your sons
and personal lawyer braying on Twitter,
and yes, an army of a thousand others
bringing spurious charges before
what was to have been your last line
of defense, the federal and Supreme courts.
But your plans were stymied by
the electoral calendar, this unfortunate
need to be reviewed by the people
every four years. Just not enough time
to seal the borders of justice and democracy,
to gut the civic dreams even of your own
party members. Depressing and certainly
cheering to your opponent, that sleepy fellow
who has crawled over the finishing line
with pride while you founder somewhere
in the attic of that now windy mansion,
wondering whether the last ride will come
from a helicopter out and above the Potomac
on the way to Andrews and the final flight
to Mar- a- Lago, then after a swift packing
of bags, by private jet to some territory
in the back of yonder, Oz, beyond.

—Submitted on 11/07/2020

Indran Amirthanayagam is the author of The Migrant States (Hanging Loose Press, 2020) and Sur L’ile nostalgique (L’Harmattan, 2020). He edits The Beltway Poetry Quarterly.

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TwoSeventyThree | 11 07 20 | Indran Amirthanayagam

Indran Amirthanayagam
To Oz and Beyond

You must be depressed, Mr. President
watching the drip drip of tabulating,
red wall crumbling, and all the king’s
men turning mum, just your sons
and personal lawyer braying on Twitter,
and yes, an army of a thousand others
bringing spurious charges before
what was to have been your last line
of defense, the federal and Supreme courts.
But your plans were stymied by
the electoral calendar, this unfortunate
need to be reviewed by the people
every four years. Just not enough time
to seal the borders of justice and democracy,
to gut the civic dreams even of your own
party members. Depressing and certainly
cheering to your opponent, that sleepy fellow
who has crawled over the finishing line
with pride while you founder somewhere
in the attic of that now windy mansion,
wondering whether the last ride will come
from a helicopter out and above the Potomac
on the way to Andrews and the final flight
to Mar- a- Lago, then after a swift packing
of bags, by private jet to some territory
in the back of yonder, Oz, beyond.

—Submitted on 11/07/2020

Indran Amirthanayagam is the author of The Migrant States (Hanging Loose Press, 2020) and Sur L’ile nostalgique (L’Harmattan, 2020). He edits The Beltway Poetry Quarterly.

SUBMIT to TwoSeventyThree (formerly known as What Rough Beast) via our SUBMITTABLE site. 

If you enjoyed today’s poem and you value our online poetry series, consider making a donation to Indolent Books, a nonprofit poetry press.




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What Rough Beast | 11 06 20 | Michael Cunningham

Michael Cunningham
Corona Psalm

You don’t have to feel lonely.

You don’t have to eat from cable news
like an endless buffet.

Listen, the birds are singing.

Listen, the rain is making love
to the city streets.

Watch, the leaves give birth
and the trees that hold them.

You don’t have to be alone.

Drink from the stream
within yourself.

Pull yourself away from the world
the same way you would tug a child
away from an open flame.

Drink from the stream
drink and be well.

—Submitted on 10/17/2020

Michael Cunningham is a school librarian and outdoor nature educator trained in Waldorf education and biodynamic farming.

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What Rough Beast | 11 05 20 | Michael Cunningham

Michael Cunningham
Crucifixion

After Jesus called out
father, father why have you
abandoned me?
He must have called
out for his mother.

She was there when the men
had flown in fear.

He must have called her

When then they whipped him, when they tormented him, when they spit on him,
When he wore the crown of thorns, when he carried the cross.

Isn’t that what all good boys do?
Call to their mama.
even when someone is
kneeling on their neck.

America, Jesus is still calling
is anyone listening?

—Submitted on 10/17/2020

Michael Cunningham is a school librarian and outdoor nature educator trained in Waldorf education and biodynamic farming.

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What Rough Beast | 11 04 20 | Margo Taft Stever

Margo Taft Stever
Immigration Policy

When I demonstrated against child separation at the border with a small group outside of Susan Collins’s office in Biddeford, Maine, I wrapped myself in the same flimsy mylar blanket given to children when separated from their parents and read a quote from a sixteen-year-old migrant mother to the small gathering:

The day after we arrived here, my baby began vomiting and having diarrhea. I asked to see a doctor, and they did not take us. I asked again the next day, and the guard said, “She doesn’t have the face of a sick baby. She doesn’t need to see a doctor.” My baby daughter has not had medicine since we first arrived. She has a very bad cough, fever, and continues to vomit with diarrhea.

Trump, Sessions, Homeland Security, Barr, and DOJ knew then and know now exactly what they are doing. They are doubling down on punishment, hoping to prove America is no longer a refuge, but a jailhouse, not just a jailhouse, but a torture chamber, not just a torture chamber, but a freak show—no longer a place for self-respecting immigrant families escaping from torture and starvation. More than 5,400 children at the border are separated from their parents, ripped from them, pried from them, pruned and slivered from them. Trump would like to jump start the child separation program during his second regime.

Let me start over. As an effort to deter desperate migrants from attempting to find refuge in America, the Trump regime has coerced them to cross the Sonoran Desert; since then, over 10,000 refugees have died. In the desert, it takes eight days for a body to totally disappear—first picked clean by vultures, ravens, ranch dogs, then by the ants that chip remaining bones and drag the fragments to their nests.

Five men came out of the desert so sunstruck that they could no longer remember their own names, how long they had traveled, or where they came from. But migrants keep on trying to cross because they are persecuted by authoritarian regimes in Central America, cannot find jobs, and their children are starving. Children cry in cages. We lost their parents; we don’t know where to find them.

—Submitted on 10/17/2020

Margo Taft Stever is the author of Cracked Piano (CavanKerry Press, 2019), Ghost Moose (Kattywompus Press, 2019), The Lunatic Ball (Kattywompus Press, 2015), The Hudson Line (Main Street Rag, 2012), Frozen Spring (Mid-List Press, 2002) and Reading the Night Sky (Riverstone Press, 1996). Her work has appeared in Verse DailyPrairie Schooner, Connecticut Review, Cincinnati ReviewPlume, and other journals. Stever is founder of the Hudson Valley Writers Center and founding and current co-editor of Slapering Hol Press. She lives in Sleepy Hollow, NY.

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