What Rough Beast | Poem for December 22, 2019

Alana Hayes
A Better World

I can find a better place for myself
than just to be captured
as an object for your viewing.
trophy in the case
What an intolerable allegory for womanhood!
Growing up, they told me, I could be anything,
including free,
including safe,
including the future.
Well, here’s the future’s face!
Muzzle firmly in place.
Free. Safe. What a monstrous fable.
The truth is disheartening
when it lays all its cards down on the table.
The world is waiting
to wreak havoc on you
if you believe all its bedtime stories.
The ones that give you sweet dreams,
but never touch on historical facts,
or ugly realities.
But the world is also still full of palpable wonders
for those of us who brave it’s perils
and find error in its ideas.

Alana Hayes is a graduate of the University of Maryland, Baltimore County,  where she received a BA in English Literature and another in Women and Gender Studies. Most of her poetry revolves around themes of Judaism, feminism, and social justice issues. Her work has appeared in Night Music Journal. Follow her on Instagram @womanasriot.

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What Rough Beast | Poem for December 21, 2019

Chad Parenteau
Resistance Tankas, Reel 8

Meghan McCain Jesus Tanka

In the morning time,
Meghan McCain Jesus looks
and cries to Heaven,
Why have you forgotten me?
Heaven says, Stop talking now.

Rudy Giuliani Jesus Tanka, Take Three

Rudy G. Jesus
waves his silver in the air,
shouting to the crowd,
Who wants their thirty pieces?
I got my thirty pieces!

Tulsi Gabbard Jesus Tanka

Nobody had seen
Tulsi Gabbard Jesus, but
she says she was there,
waiting to be sacrificed,
for somebody to notice.

Donald Trump Jesus Follower Tanka

Trump has never died.
Trump can only rise and rise.
Trump will come again,
over all of us again,
calling his name as we do.

U.S. Steel Jesus Tanka

U.S. Steel Jesus
has died and has risen so
many goddam times,
every quarterly report
feels like it’s Easter again.

Chad Parenteau is the author of Patron Emeritus (FootHills Publishing, 2013). His work has appeared in Tell-Tale InklingsQueen Mob’s Tea HouseThe Skinny Poetry JournalIbbetson Street, and Wilderness House Literary Review. He serves as associate editor of Oddball Magazine. His second full-length collection, The Collapsed Bookshelf, is forthcoming.

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What Rough Beast | Poem for December 20, 2019

Michael Hogan
Autumn

Things fall apart: the center cannot hold.
—W.B. Yeats

New England teaches us all we need to know about dying:
the russets and gold of oak leaves, the helicopter seeds,
the sap in the veins of maples rising,
the smell of decay and fallen apples,
the murmuring of bees as they gather
over rotten fruit before returning heavily laden to their hives.
Nowhere is death more spectacular and richly in tune.
Unlike my car, an old generation Dodge, which today
when the thermometer fell, was dodgy.

Traffic was stalled on the bridge and I fretted that the old beater
would suddenly freeze and I would be trapped amid blaring horns
and angry commuters.
meanwhile my top left molar throbbed with a dull ache.
The news was full of fake people
reporting on the deeds and misdeeds of other fake people
who wanted everyone to know how important they were
fighting like cats in a bag which (unbeknownst to them)
had already been tossed into the sea.

The sea itself was calm, the Bay to my left even calmer.
A few early gulls were screeching toward some resolution
I could only imagine until finally the traffic broke and we moved on
and the sun came from behind a cloud and I could see the futile
towers of the city reaching for some assurance of hope
not desperate surely because they were inanimate
but seeming so as if their architect believed that
in concrete and steel he could somehow escape oblivion.

Downtown the pigeons had finished their commute
from park to office towers and back again.
So, now they were waiting patiently for any comestibles that might
appear on pathways when secretaries took their coffee breaks
with bagels and croissants and dropped their crumbs
where enterprising birds might find them.

Michael Hogan is the author In the Time of the Jacarandas (Egret Books, 2015) and 23 other books. His work has appeared in the Paris Review, the Harvard Review, American Poetry Review, New Letters, and others. His work is included in Perrine’s Sound and Sense and the Pushcart Prize Book of Poetry. Hogan lives in Guadalajara Mexico with the fabric artist Lucinda Mayo and their Dutch Shepard Molly Malone.

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What Rough Beast | Poem for December 19, 2019

Jessica Ramer
Maxine in Alaska

[First Cruise]
Not quite twenty, she sails from Seattle to Anchorage.
Officers assign shipboard duties to military wives.
Her job is to balance on a rolling deck,
watch waves for enemy submarines.

[Anchorage]
False-front bars like movie set saloons
line pot-holed streets, their peeling paint
grey like tire tracks imprinted in melting snow.
As she is driven to the base, she brushes away tears.

[Base Roads
Gloved hands grip the wheel. She bites
her lip as she drives to work in darkness,
braking for stray dogs and moose.
Tires wrapped in snow chains slide on ice.

[Office Work]
Her boss, a bird colonel, suspends
sweet potato plants from his office ceiling.
She waters the only green she sees for six months,
stashes his brass watering can under her desk.

[Non-Commissioned Officer Meal Plan]
Moose meat simmers for days in the electric skillet.
Although it is tough and gamy, she welcomes
this free food given by airmen hunting on weekends.
It supplements an enlisted man’s meager budget.

[Homesteading]
Resting on cement blocks, the clapboard house
provides a den for a hibernating brown bear.
It stirs when children make too much noise.
“Shhh. You’ll wake the bear,” parents whisper.

[A Rumor of War]
Khrushchev bangs his shoe on the table. Elmendorf AFB
prepares for war. Too afraid to go to bed, she falls
asleep in her chair. At dawn, she opens one eye.
Then the other. She looks outside. There is still an outside.

[Heat Wave]
Summer sun lingers above the horizon until ten.
Starved for light after winter’s darkness,
She stands outside in her magenta swimsuit,
plugs her iron into the porchlight socket.

[Twenty-one, Trapped, and Pregnant]
One week before her due date, March storms pile
snow against the door. Shovel-wielding airmen dig her out.
She fears being snowed in when the baby comes. Jim Joyce says,
“Don’t worry. If I can load bombs, I can catch a baby.”

[Ersatz Milk]
Rows of blue and red cartons fill the freezer—
frozen condensed milk, cheaper than whole milk
shipped by barge from Seattle. Fifty years later,
She still insists that it tasted good.

[Winter]
Housewives bundled in parkas and galoshes
trudge across the ice-coated quadrangle,
stop at Mary’s house for their morning beer.
Darkness makes you drink, they all say.

[Power Failure]
Electricity goes out—along with heat.
She bundles her children in snow suits,
take them into bed—along with Yogi, the dog,
who bears the gift of body heat.

[Radar Operators]
Men from the archipelago of radar stations
facing Siberia descend on the muddy town.
Broken whiskey bottles litter downtown streets,
glittering in brief hours of daylight.

[Feral Dogs]

Pets abandoned by transferred owners
form packs roaming remote corners of the base.
Hunger lures them to apartment garbage cans.
Airmen hunt them down with Springfield rifles.

[Evacuation Drill]
Military wives and children ride in trucks down
gravel roads to a remote camp stocked with K-rations.
Canvas teepees promise privacy for latrine users—
until helicopters hover above open roofs.

[Spring Thaw]
A bear paces outside the city’s only movie theater.
Dozens of patrons walk backwards through the doors.
Anchorage’s only newspaper records the event:
“Bear Goes to the Movies.” Which movie, it didn’t say.

[Maternity Clothes]
“Dan, hold the baby,” she hisses at her husband,
who stares, unhearing, into the distance.
Her homemade maternity skirt falls off.
In church. On Easter Sunday.

[Christmas Eve]
Climbers disappear in the Chugach mountains.
Blinded by snow, the search and rescue plane’s
pilot hits a slope, killing all aboard. Widows bear
cupcakes frosted red and green to the children’s party.

[Security Breach]
Eskimos kayak across the imaginary line
dividing Russian and American waters,
trade seal meat, outboard motors, and furs.
Khrushchev and Eisenhower ignore this security threat.

[The Alcan Highway]
Pregnant again, she bumps down the Alcan Highway in a camper
reeking of propane and dirty diapers. Destination: Florida,
fresh milk, and cockroaches bigger than hummingbirds.
She arrives two months before the Cuban Missile Crisis.

Jessica Ramer is a doctoral student in poetry at the University of Southern Mississippi. Her work has appeared in South 85 and The Keats Letters Project. She was a summer 2017 resident at the Alderworks Alaska Writers & Artists Retreat.

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What Rough Beast | Poem for December 18, 2019

Erin Lynn Marsh
I have decoupaged love poems

to the back of my eyelids so I can see them

even while sleeping. My alarm
wakes me at 7:30 a.m. by blaring

catchy pop music by the latest boy band.
I see hearts everywhere in February—

pastel blue shapes on mugs stacked
at the local coffeeshop call to me.

I am seated in a corner, casting
desperate spells—so ashamed

of my relief when the handsome barista
ignores me and only talks to my pretty friend.

I can no longer aspire to be an object
of affection, someone’s other half,

their reason for living. I want to fall
asleep to the orange cat’s purr, ignore

the thud of her knocking the heart-
shaped music box to the floor.

Erin Lynn Marsh is the author of the poetry collection Disability Isn’t Sexy (Jules’ Poetry Playhouse Publications, 2019). Her poems have appeared in Post Road MagazineSugar House ReviewPaper DartsEmrys Journal, and the anthology Hers: Poets Speak (while we still can), Vol. 2 (Beatlick Press and Jules’ Poetry Playhouse Publications, 2017), edited by Jules Nyquist. She lives and works in Bemidji, MN.

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What Rough Beast | Poem for December 17, 2019

Chad Parenteau
Timely Tankas from the Resistance, Reel 7

Mitch McConnell Jesus Tanka

In election year,
Mitch McConnell Jesus files
for seventh heaven,
the murderers and rapists
gather to him as if drawn.

Boris Johnson Jesus Tanka

For first miracle
Boris Johnson Jesus makes
New Jerusalem out
to sea, so far beyond reach,
it’s like he’s water walking.

Infowars Jesus Tanka

Infowars Jesus
has its own view of gospel
where giant crosses
also serve as lynching trees
after Deep State eucharist.

Matt Bevin Jesus Tanka

Matt Bevin Jesus
throws rapists and murders
out of the prisons
and back into the temples,
silver jingling at his side.

Chad Parenteau is the author of Patron Emeritus (FootHills Publishing, 2013). His work has appeared in Tell-Tale InklingsQueen Mob’s Tea HouseThe Skinny Poetry JournalIbbetson Street, and Wilderness House Literary Review. He serves as associate editor of Oddball Magazine. His second full-length collection, The Collapsed Bookshelf, is forthcoming.

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What Rough Beast | Poem for December 16, 2019

Tyler King
Playing Phantoms in the Vampire Castle

The summer of 2014, tattoo ink dripping blood to hardwood floor,

I step into the ghost of a boy racing chemicals all the way to sunset, and come out the other side screaming

like hell,

all black, car crash, funeral heart beating reverie, strung out valentines on parade, Satan

speeds up on the turnpike, God is a railway car bound full tilt to supernova,

any moment the scales can tip, delicate balance shift, dialectical relationships unwound over radio static elegies,

they started lacing the shit and by March the death became a riot, a language of communion and massacre, we’re out here unlearning existing, violence as a door swinging off its hinges, step over the threshold, into unending longing

moments of silence, calm repose and anticipation, breaking down by numbers,

playing phantoms in the vampire castle, communing with the dead, shamans of infinite space and void, through the sunroof my disintegrating acid eyes observe the fire of heaven, heavenly bodies falling, I remember saying something like, the trajectory has come, we might as well draw futures from the ashes,

I’m getting fucked up off memory, the fragility of experience, it has been one Armageddon after another since we split the atom in our stuttering tongues,

like the gleaming teeth of empires, like the dope sick fever state,

weaponize history, and learn to get higher with less

Tyler King is an emerging writer whose work has appeared in Sonder Midwest. He is a student at Sinclair Community College in Dayton, Ohio, where he lives.

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What Rough Beast | Poem for December 15, 2019

Howie Good
The Death Row Shuffle

He said to me, “I am dying.” I said, “How is that my fault?” but sat down on the bed and held him and rocked him. Somewhere out there the lake was being strangled. I was frightened the fish would die, and that this would instigate the death row shuffle for everyone. The sound of endless wars in far-off places is still buzzing in my head. I stop, I look. The boy and the car are gone. It’s just crying and anger here, and farmers who make less than a dollar a day having an arm or leg blown off.

&

You open your eyes. The walls are covered in scribbled physics equations. You feel in the wrong just being there. Everything happens too fast, as if hurled in irrational anger by the hand of God, though it’s really fluid dynamics. You ask for pen and paper, but are given a slice of bread. I can’t explain it. I would need to Google you to find out.

&

Our 5-year-old daughter, Celeste, was singing to herself. She suddenly stopped and said, “Why do I always fart when I sing?” Then a French farmer while plowing on a hill uncovered a rusted revolver that may be the very one Van Gogh used to shoot himself. I looked at my wife, who was looking back at me. I can’t keep drowning, I can’t. There are little children living without parents in freezing tents in detention camps. The ancient Greek stoics maintain a complicit silence. I just want it to end. Every kind of music is meant to be played loudly.

Howie Good is the author most recently of Stick Figure Opera: 99 100-word Prose Poems (Cajun Mutt Press, 2019). He co-edits the online journals Unbroken and UnLost.

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What Rough Beast | Poem for December 14, 2019

Christine Liwag Dixon
L Does Not Stand for Ling Ling

i walk into first grade with a fistful of pencils,
my name written on each one in my mother’s tiny letters.

“what’s the ‘L’ for?” a cLassmate sneers, gLaring at my middLe initiaL,
“Little eyes?”

i am asked variations of this over the years —
“is the L for Ling Ling/Lucy Liu/Lumpia/Love you Long time/Long duk dong/Lo mein?”

untiL

i refuse to use my middLe initiaL aLtogether,
refuse to Let this right angLe sLingshot racism
at the name i inherited from my mother’s father,
a proud businessman whose name comes from the
tagaLog word “Liwanag” which means “Light” in engLish
but means “heavy” to a fiLipino american girL
whose heritage is a bitter weight upon her tongue
grown thick with american voweLs.

one day

i wiLL make them swaLLow not just the L,
but aLso the I that foLLows It,
defIantLy taLL LIke revoLutIonarIes fIghtIng off
three hundred years of coLonIzatIon;

I wILL make them savor the W,
tWIn peaks once raIsed to BathaLa
forced Into hIdIng but stILL standIng;

I WILL make them choke on the A
thAt ushered In A neW erA of coLonIALIsm,
the AbAkAdA dIspLAcIng the eLegAnt fIgures
We hAve forgotten hoW to WrIte,
Let ALone speAk

our tongues cLenched In our fIsts
LIke weApons in the hAnds of An AduLt
Who hAs LeArned to Love her WhoLe mIddLe nAme,
ALL the Letters,
from the L thAt does not stAnd for LIng LIng
to the G thAt noW GuArds her AGAInst peopLe Who Ask

“LIWAG? WhAt kInd of WeIrd foreIGn nAme Is thAt?”

the L And I And W And A and G rIse together
And fInALLy fInd the strenGth to sAy–

“Go to heLL.”

Christine Liwag Dixon is a multiracial Filipino American writer and musician. She is the author of Barkada Tayo: Essays on Being Filipino-American (Amazon Digital Services, 2016) and From These Islands I Rise. (Independently published, 2018). Her work has appeared in Apocrypha and Abstractions, Foliate Oak, Marias at Sampaguitas, and Plum Tree Tavern.

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What Rough Beast | Poem for December 13, 2019

Diane Elayne Dees
Stockholm Syndrome

White woman, what is wrong with you?
You are Seligman’s dogs, no longer able
to see the obvious exit from a life filled
with constant jolts of oppression,
insult and control. You don’t even notice
oppression, insult and control anymore,
and if you do, you distract yourself
with rationalizations, deadlines, soccer
leagues, and yoga classes. Look around,
white woman: Others who are oppressed,
unable to stand it anymore, fight back.
They demand to be heard, and they demand
change. Look around some more; you’ll see
that even others who look like you fight back.
We are everywhere, running for office,
filing lawsuits, confronting sexist spouses,
bosses and institutions, and refusing to allow
the poison of oppression to be injected
into the cells of our children. When the Scary
Blackberry Kool-Aid is passed to us,
we Just Say No. You, on the other hand,
protect and defend your oppressors
at every turn, buy their products,
and even campaign and vote for them.
White woman, what is wrong with you?

Diane Elayne Dees is the author of I Can’t Recall Exactly When I Died (Clare Songbirds Publishing House, forthcoming), and another chapbook, Coronary Truth (Kelsay Books, forthcoming). Her poems have appeared in The New Verse News, Better Than Starbucks, Amethyst Review, and EcoTheo Review, among other journals, as well as in the anthologies Hurricane Blues: Poems about Katrina and Rita (Southeast Missouri State Univ Press, 2006), edited by Philip C. Kolin and Susan Swartwout; American Society: What Poets See (FutureCycle Press, 2012), edited by David Chorlton and Robert S. King; and A Walk with Nature: Poetic Encounters that Nourish the Soul ( University Professors Press, 2019), edited by Michael Moat, Derrick Sebree, Gina Subia Belton, and Louis Hoffman. Dees also publishes Women Who Serve, a blog that delivers news and commentary on women’s professional tennis throughout the world. Her author blog is Diane Elayne Dees: Poet and Writer-at-Large.

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